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I was born in Karditsa, Greece in 1985. Curiously, it was a movie that made me decide about my career. When I was 7 years old, my parents took me to the cinema to watch Jurassic Park, and since then I knew I wanted to be a paleontologist.
I studied Geology in the Aristotle University of Thessaloniki, Greece and I quickly oriented myself towards Paleontology, following a Master's and PhD in Vertebrate Paleontology. I specialize in fossil turtles, and especially those giant terrestrial species that once roamed the world, now mostly confined in isolated remote archipelagos.
In 2015 I moved to Patagonia, Argentina, to work as a CONICET postdoctoral researcher on the evolution of South American tortoises. I had the luck to join the team in the Museo Paleontológico Egidio Feruglio, in Trelew (Chubut), one of the leading paleontological institutions of the country. In November 2019 I started a position as a permanent researcher, working with the changes in the diversity and extinction events of turtles.
Always oriented towards visual communication via graphic design, I was convinced that traditional publishing has reached its limits.
I noticed that I was reading less every day, finding hard to concentrate on a page. At the same time, I found myself consuming more audiovisual material, like reading the papers out loud with the automated voices, podcasts and videos. At some point, I joined the Palaeontological Virtual Congress, the first of its kind in that discipline and even before the pandemic, and I realized the great potential of audiovisual material that scientists have and can produce. The Scientific Broadcasts idea started to form. And then, the pandemic came, making audiovisual communication a necessity. I met Mike Doran, who has been advocating for some time on the utility of video in grant proposals, and that was it. We started planning, and here we are. Find more about our story so far here.
Scientific Broadcasts — think outside the page
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